6fast9 körkép

Van itt egy kis videobejátszás a 6fast9-ről, én még a korlátozás miatt nem tudtam megnézni de biztos jópofa. Ilyen 360 fokos klikkelve körbenézős kvázi interaktív őrület. Benn megy a művészkedés, dzsemmelés aki éppen ott volt játssza a Planet Regi munkacímű dolgot Tomi meg jól felvette és feltette ide. A link után a Pamut bázis fülecskét kell választani és akkor csudát láttok...nah.

Dobilag

Gretsch Catalina Club Mod sets the stage for the modern player with tonal and visual distinction. Club Mod's mahogany shells pump out deep tones from the extra-deep 20"x22" bass drum, 6.5"x14" snare drum and one up, one down tom set-up. Black hoops and black offset lugs compliment flashy drum finishes. Characterized by bold looks with a thunderous sound, the Club Mod is a killer drum set for modern clubs.

Szinyó 2

The CS1x is Yamaha's first Analog Emulation performance keyboard for electronic and dance musicians (the CS line is back!). It's a digital synthesizer that emulates analog style, sounds and controls. All controls and parameters are real-time and MIDI controllable. As well as a superb set of quality synth bass, pads, voices, leads and arpeggiated sequences there are plenty of amazing drum sounds also with analog sound and control.Some of the coolest features of the CS1x aimed at dance musicians will provide you with instant sonic gratification and hands-on real-time tweakability. It's already being used by Underworld,Bushflange, Jamiroquai, Skylab2000, Somatic Responses, and David Bowie.
használati utasítás
indexfórum
tubus

Cinsz

Paiste Giant Beat. A hagyományos, "kopogós" cintányérok kedvelőinek készül a Giant Beat széria. Eredetileg 1967 és 1971 között gyártották az akkori "keményedő" trendek kielégítéséra, de a 18" 20" és 24" Crash-Ride-okat valamint a 14" és 15" lábcineket ismét bemutatták 2005-ben.

Csavar

Nagyot léptünk előre ma a zenei barkácsműhely kialakításának útján. Köszönjük magunknak a lelkes és eredményes munkát de ez még csak a kezdet. Hajrá! Csavarok fogják össze az egész tákolmányt és egész kis bolygónkat is. Mi van? A csavar egyike az egyszerű gépeknek. Csavarokat gépek működtetésére, erő sokszorozásra és kötőelemként használják. Hogycsinájják?

Gityó 2

The G-400 (or sometimes G400) is an Epiphone solid body electric guitar model produced as a more modestly priced version of the famous Gibson SG. Currently Epiphone is a subsidiary of Gibson and manufactures the G-400 and other budget models at a lower cost in Asia. Visually and ergonomically, it is almost identical to a 1962 SG. The design of the G-400 follows that of the Gibson SG. Features include: pointed "devil's horns" cutaways, smaller pickguard (as opposed to the larger, later style), trapezoidal fingerboard inlays (late 80s and early 90s models had dot inlays), dual humbucker pickups, and bevelled body (mahogany). The biggest visual differences from the Gibson SG are the Epiphone headstock and wood-bound neck. The standard G-400 is available in two finishes: ebony and cherry. The Faded G-400 comes in worn brown and worn cherry. In addition, new models now have Grover-brand machine heads.

Kistöki

Peavey Basic 60W Bass Amp. Since it's a bass amp, it can go pretty damn loud and stay clean.This amp can play every style imaginable Death Metal, Rock,Punk,Techno and have used it for Soft Pop and it still kicks out enough juice to blow your ears out. The amp has duel imputs (hi) and (low) with an array of eq and volume controls. It has a lineout and separate headphone jack. I use this amp at band practice and live gigs. This is a brillaint amp for the value you get. Could do with a slightly lighter frame and needs a speaker guard to stop you putting your foot into the speaker.Features are very basic (it is a bass amp after all). Volume, 3 tone, pre and post gain, two input jacks (high and low).

Gityó

Jolana Iris was a very popular guitar during the 70's and 80's in Eastern Europe. The Telecaster - inspired design features a semihollow body with one f-hole and a tremolo unit. Pickups are single-coils with rail magnets. The blue one is dated 1974. Iris was introduced shortly after Jolana Vikomt guitar and bass came out in 1973. Vikomt had only one pickup in the neck position. Iris had two modifications - with AlNiCo pickups and ebony fingerboard and Ferrite pickups with rosewood fingerboard (not sure if ebony and rosewood were the real woods or just different paint color over beech fretboard). As usual, Iris bass was produced together with the guitar. Iris was very popular and the demand was high so Jolana produced Altro guitar and bass later. Altro had a solid body and a better bridge, the rest was similar to Iris.

Kuffer

The Roland SP-808 GrooveSampler was originally released in 1998 as an all-in-one phrase-sampling music workstation. It was released as part of Roland's Groove Gear. The updated SP-808EX adds new translucent design, many enhancements, and is now dubbed the e-Mix Studio. Essentially the SP-808 is a phrase sampler with a pattern sequencer, hard-disk digital multitrack recorder and high quality studio-effects. Both machines are geared towards sampling musicians, remixers, broadcasters and DJ's.

The original Roland SP-808 (GrooveSampler) can play up to four stereo samples simultaneously. It samples at 44.1 and 32 kHz sampling rates, with a maximum sample time of 25 minutes of stereo 44.1 kHz sampling. Sample via analog or digital inputs, the SP-808 holds over 1,000 samples. Its sampler has a full set of editing features and some nifty tricks to make sampling very easy. BPMs of loops can easily be adjusted to match song tempo. All samples are stored/read directly from the 100 MB Zip drive rather than internal RAM memory. AIFF and WAV audio formats are not supported as Roland is using their own proprietary sample storage method to maximize sample space on ZIP disks. Although WAV samples can be converted and from computer to SP-808 using external Zip drive and Rolands Wave Converter software.

Studio quality effects include a filter, reverb, delay, pitch shifting, distortion, phaser, compression, Karaoke mode, and many more effects. There's also a D-Beam controller to tweak pitch and volume. Effects are realtime tweakable, but only one effect can be used at a time, so it is common practice to resample your sounds with effects processing to use more effects.

Szinyó

The Korg Poly-61 was released in 1982 as the successor to the Polysix. It was somewhat of a step up from the Polysix, as it has 2 DCOs for better reliability. It also retained the arpeggiator of the Polysix. It has a very dirty sharp sound much like the Yamaha DX7. This is good if you are into the lo-fi sound of electronica. The Poly-61 can provide cool gritty basses or trippy analog sounds and fx. Also added is the familiar Korg joystick, which can be used to modulate the VCO or the VCF. However, its filter only has 7 steps of resonance and is not as fat as the Polysix's filter. It also uses the same method of programming the Poly-800 and Yamaha DX-7 use, so it's not a very useful synth for real-time-tweaking junkies. The first Poly-61s didn't have MIDI, but the Poly-61M released in 1984 corrects this. Overall, the Poly-61 is still a decent synth, and it can be acquired for practically nothing! It has been used by FM Static and The Faint.

Magnyó

Paradise Recording features a Studer A-800 MKIII 24-track 2-inch tape machine. Nothing can make your music sound as warm, and rich as recording to fat 2-inch tape. Using a high end machine like the A-800 also gives you pristine, low-noise sound quality, and punch in capabilities. These types of tape machines have been used on almost every major album from the 70’s throughout the mid-90’s, and is still often used today. This machine will give you a professional edge that is hard to match with strictly digital recording. However, if you decide to record digitally, there’s always the option of bouncing tracks to tape and back in the mixdown process. This can give you some of the warm tape sound and saturation with the ease of digital recording. A Studer takes a lot of maintenance, but our staff regularly cleans and aligns this tape deck to ensure everything is working for your session. Any extra effort tape requires is well worth it for the sound it gives; and the best possible sound is what Paradise is all about. about.

Nagymotyó

Szia! OK. Örülök neki. Előtte még kipróbáltam, a kontroll láda nem jól szólt, de már nem volt időm szarakodni vele. Nagyon könnyű a nagy hangszórót kivenni és a hangváltót vagy a magassugárzót kell megnézni. Vagy rosszul van bekötve, vagy nem jó, a mélysugárzó biztos jó. Az gitárra vagy basszusgitárra is használható. A magassugárzó hibája esetén sem kell újat venni, mert a Wattvill-nél lehet bele javító tekercset venni 1500 körül és nagyon könnyű kicserélni. A keverőerősítőnél a basszussal és a hangerővel vigyázz, mert arra 4 hangfal is kell a basszus nagy dinamikája miatt.Üdv, FG.